In the age of computational media sound and its subcultures can offer more dynamic ways of accounting for bodies movements and events in the rhythmic event eleni ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. The sonic has come to occupy center stage in the arts and humanities in the age of computational media sound and its subcultures can offer more dynamic ways of accounting for bodies movements and events in the rhythmic event eleni ikoniadou. Reviewed by eddie lohmeyer ikoniadou eleni the rhythmic event art media and the sonic cambridge ma the mit press 2014 pp 136 along with a number of deleuzian media theorists who have sought to map the affective function of digital technologies in recent years and think through how our engagement with such media might spur new senses and temporalities beyond a subjects well . Ikoniadou draws on media theory digital art and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affectivethe rhythmic eventseeks to define the digital media artwork as an assemblage of sensations that outlive the space time and bodies that . Rhythmic time conclusions rhythm and event publishers summary an investigation into the affective modes of perception temporality and experience enabled by experimental new media sonic art the sonic has come to occupy center stage in the arts and humanities
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